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    Disc 1: MRS Acetates, The Sun & The RCA Masters
    1 My Happiness 2:33
    2 That’s When Your Heartaches Begin 2:52
    3 I’ll Never Stand in Your Way 2:04
    4 It Wouldn’t Be the Same (Without You) 2:09
    5 Harbor Lights 2:38
    6 I Love You Because 2:43
    7 That’s All Right [45 RPM Master] 2:00
    8 Blue Moon of Kentucky (45 RPM Master] 2:07
    9 Blue Moon 2:44
    10 Tomorrow Night 3:01
    11 I'll Never Let You Go (Little Darlin’) 2:27
    12 I Don't Care If the Sun Don't Shine 2:32
    13 Just Because 2:34
    14 Good Rockin' Tonight 2:15
    15 Milkcow Blues Boogie 2:39
    16 You’re a Heartbreaker 2:13
    17 I'm Left, You're Right, She's Gone [Slow Version] 2:43
    18 Baby Let's Play House 2:19
    19 I'm Left, You're Right, She's Gone 2:38
    20 I Forgot to Remember to Forget 2:31
    21 Mystery Train 2:30
    22 Tryin’ to Get to You 2:36
    23 When It Rains It Pours 2:06
    24 That’s All Right 1:59 [RCA single version]
    25 Blue Moon of Kentucky 2:05 [RCA single version 78 RPM Master]
    26 I Love You Because 2:45 [RCA LP version – spliced from takes 3 & 5]
    27 Tomorrow Night 2:56 [RCA LP version – overdubbed and slowed down]


    Tracks 1-2: Self-financed demo recorded July, 1953 at Sun Studio, Memphis.
    Source for tracks 1-2: Digital transfer of acetate.
    Tracks 3-4: Self-financed demo recorded January 4, 1954 at Sun Studio, Memphis.
    Source for tracks 3-4: Digital transfer of acetate in very poor condition.
    Track 5 possibly recorded July 5, 1954.
    Tracks 6-7 recorded July 5, 1954 at Sun Studio, Memphis.
    Sources for tracks 5-6: Original SUN tapes.
    Source for track 7: 45 rpm SUN single (plastic).
    Track 8: Recorded July 7, 1954 at Sun Studio, Memphis.
    Source for track 8: 45 rpm SUN single (plastic).
    Track 9: Likely recorded between August 15 and 19, 1954 at Sun Studio, Memphis.
    Source for track 9: Original SUN tape.

    Tracks 10-14 likely recorded between September 12-16, 1954 at Sun Studio, Memphis.
    Sources for tracks 10, 11, 13 and 14: RCA reference tapes (30 ips)
    Source for track 12: Digital transfer of SUN tape, with repairs from a digital transfer of a tape copy.
    Tracks 15-16 recorded either mid-November or mid-December 1954 at Sun Studio, Memphis.
    Sources for tracks 15-16: 78 rpm SUN single (shellac).
    Track 17 Recorded between mid-November 1954 and mid-April 1955 at Sun Studio, Memphis.
    The reel has March 5 written on it, but Elvis was at the Louisiana Hayride that day.
    Source for track 17: Original SUN tape.
    Track 18 likely recorded between January 30 and February 4, 1955 at Sun Studio, Memphis.
    "I Got a Woman" and "Tryin' to Get to You" were also recorded, but have been lost.
    Source for track 18: RCA reference tape (30 ips).
    Track 19 likely recorded mid-April 1955 at Sun Studio, Memphis.
    Source for track 19: RCA reference tape (30 ips), with first part of ending from RCA tape copy (15 ips) and last part of ending from digital transfer of the RCA EPA-965 production master tape.
    Tracks 20-22 recorded mid-July, 1955 at Sun Studio, Memphis.
    Source for track 20: SUN tape copy.
    Source for track 21: SUN tape copy, with ending from digital transfer of 78 rpm RCA single.
    Source for track 22: RCA reference tape (30 ips).
    Track 23 recorded November 1-4, 1955 at Sun Studio, Memphis.
    Source for track 23: Original SUN (vocal channel) slapback tape.
    Elvis’ 1957 re-recording of the song was released under the title "When It Rains, It Really Pours"
    Source for track 24: RCA reference tape (30 ips).
    Source for track 25: 'Elvis at Sun' master, derived from digital transfer of 78 RPM SUN single (shellac).
    Track 26: Steve Sholes’ original notes have these takes as 2 & 4
    Source for track 26: RCA master tape.
    Source for track 27: 1965 RCA work part tape for the "Elvis for Everyone" LPM-3450 production master tape.

    Disc 2: The Sun Studio Sessions
    1 Harbor Lights (takes 1-2, level adjustments) 0:33 *New
    2 Harbor Lights (take 3/M) 2:53
    3 Harbor Lights (take 4) 2:38
    4 Harbor Lights (takes 5-6) 1:23 *New
    5 Harbor Lights (take 7) 2:25 *New
    6 Harbor Lights [take 8] 0:26 *New
    7 I Love You Because (take 1) 0:23
    8 I Love You Because (take 2) 3:28
    9 I Love You Because (take 3) 3:36
    10 I Love You Because (take 4) 0:40
    11 I Love You Because (take 5) 3:28
    12 That’s All Right (takes 1-2) 0:20
    13 That’s All Right (take 3) 1:58
    14 Dialogue 0:20
    15 Blue Moon of Kentucky (slow tempo outtake) 1:08
    16 Blue Moon (takes 1-3) 0:38 *New
    17 Blue Moon (take 4) 2:59
    18 Blue Moon (take 5) 3:25
    19 Blue Moon (takes 6-7) 0:53
    20 Blue Moon [take 8] 3:01
    21 Blue Moon (take 9/M) 2:44
    22 Dialogue fragment (before "Tomorrow Night") 0:11 *New
    23 I’ll Never Let You Go (Little Darlin’) (incomplete take) 0:49
    24 Good Rockin’ Tonight (fragment from vocal slapback tape) 0:10 *New
    25 I Don’t Care if the Sun Don’t Shine (takes 1-2) 1:13
    26 I Don’t Care if the Sun Don’t Shine (take 3/M) 2:35
    27 I’m Left, You’re Right, She’s Gone (slow version, take 1) 3:00
    28 I’m Left, You’re Right, She’s Gone (slow vs, take 2) 2:51
    29 I’m Left, You’re Right, She’s Gone (slow vs, take 3) 2:51
    30 I’m Left, You’re Right, She’s Gone (slow vs, take 4) 0:10
    31 I’m Left, You’re Right, She’s Gone (slow vs, take 5/M) 2:40
    32 I’m Left, You’re Right, She’s Gone (slow vs, take 6) 2:40
    33 I’m Left, You’re Right, She’s Gone (slow vs, take 7) 1:35
    34 How Do You Think I Feel (guitar slapback tape, rehearsal + take 1) 3:17
    35 How Do You Think I Feel (guitar sbk tape, rehearsals) 1:14
    36 When It Rains It Pours (vocal sbk tape, take 1) 1:37 *New
    37 When It Rains It Pours (vocal slapback tape, take 2 - rehearsal) 2:12 *New
    38 When It Rains It Pours (vocal sbk tape, takes 3-4) 2:14
    39 When It Rains It Pours (vocal sbk tape, take 5/M) 2:02
    40 When It Rains It Pours (vocal slapback tape, take 6-7) 1:40
    41 When It Rains It Pours [vocal sbk tape, take 8] 1:40 *New

    Tracks 1-6 possibly recorded July 5, 1954 at Sun Studio, Memphis.
    Source for tracks 1-6: Original SUN tape.
    Tracks 7-13 recorded July 5, 1954 at Sun Studio, Memphis.
    Source for tracks 7-13: Original SUN tape.
    Tracks 14-15 likely recorded July 7, 1954 at Sun Studio, Memphis.
    Source for tracks 14-15: Digital transfer of SUN tape.
    Tracks 16-21 likely recorded between August 15 and 19, 1954 at Sun Studio, Memphis.
    Source for tracks 16-21: Original SUN tape.
    Tracks 22-26 likely recorded between September 12 and 16, 1954 at Sun Studio, Memphis.
    Source for track 22: RCA reference tape (30 ips) for "Tomorrow Night".
    Sources for tracks 23-26: Digital transfers of SUN tapes (also see source note for Disc 1, track 12).
    Tracks 27-33 recorded between mid-November 1954 and mid-April 1955 at Sun Studio, Memphis.
    The reel has March 5 written on it, but Elvis was at the Louisiana Hayride that day.
    Source for tracks 27-33: Original SUN tape.
    Tracks 34-35 recorded between mid-November 1954 and mid-April 1955 at Sun Studio, Memphis.
    Source for tracks 34-35: Digital transfer of SUN (guitar channel) slapback tape.
    Tracks 36-41 recorded between November 1-4, 1955 at Sun Studio, Memphis.
    Source for tracks 36-41: Original SUN (vocal channel) slapback tape.


    *New = Totally New, never before released. Note that plenty of other tracks featured here have been released before on other labels, such as Bear-Cat, but NOT officially by RCA .

    Several of these outtakes above appeared on the 1987 'The Complete SUN Sessions' LP but have not been remastered since so should sound greatly improved.

     

    Disc 3: Live & Radio Performances
    1 That’s All Right 2:52
    2 Blue Moon of Kentucky 2:23
    3 Shake, Rattle and Roll 2:24
    4 Fool, Fool, Fool 1:59
    5 Hearts of Stone 2:02
    6 That’s All Right 1:52
    7 Tweedlee Dee 2:51
    8 Shake, Rattle and Roll 2:23 *New
    9 KSIJ Radio commercial with DJ Tom Perryman 0:16
    10 Money Honey 2:43
    11 Blue Moon of Kentucky 2:04
    12 I Don’t Care if the Sun Don’t Shine 2:33
    13 That’s All Right 1:54
    14 Tweedlee Dee 2:15 *New
    15 Money Honey 2:17 *New
    16 Hearts of Stone 1:37 *New
    17 Shake, Rattle and Roll 1:39 *New
    18 Little Mama 2:03 *New

    19 You’re a Heartbreaker 2:06
    20 Good Rockin’ Tonight 2:36
    21 Baby Let’s Play House 2:22
    22 Blue Moon of Kentucky 1:47
    23 I Got a Woman 3:03
    24 That’s All Right 2:17
    25 Tweedlee Dee 2:47
    26 Interview with Mae Boren Axton 3:19
    27 That’s All Right 2:37 *New
    28 I’m Left, You’re Right, She’s Gone 3:16
    29 Baby Let’s Play House 3:19
    30 Maybellene 3:09
    31 That’s All Right 2:49
    32 Interview with Bob Neal 5:31

    Tracks 1-2 recorded at Louisiana Hayride debut, Shreveport, Louisiana, October 16, 1954.
    Source for tracks 1-2: RCA reference tape copy.
    Tracks 3-4 recorded at KDAV Radio, Lubbock, Texas, January 6, 1955.
    Source for tracks 3-4: Digital transfer of acetate.
    Tracks 5-7 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, January 15, 1955.
    Source for tracks 5-7: Digital transfer of acetate in very poor condition.
    Some parts duplicated and edited to create near-complete performances.
    Track 8 recorded at WJOI Radio, Florence, Alabama January 19, 1955.
    Source for track 8: Digital transfer of acetate in poor condition.
    Track 9 recorded at KSIJ Radio, Gladewater, Texas, 1955.
    Source for track 9: Digital transfer.
    Tracks 10-13 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, January 22, 1955.
    Source for tracks 10-13: Digital transfer of acetate in very poor condition. Some parts duplicated and edited to create near-complete performances.
    Tracks 14-19 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, March 5, 1955.
    Source for tracks 14-19: Digital transfer of fragments of acetate in very poor condition (which was destroyed in the process). Some parts duplicated and edited to create near-complete performances.
    Tracks 20-24 likely recorded at the Eagles’ Hall, Houston, Texas, March 19, 1955. Track 21 could be from a different performance the same week.
    Source for tracks 20-24: RCA reference tape copy.
    Track 25 recorded at Gladewater High School, Gladewater, Texas, April 30, 1955.
    Source for tracks 25: RCA reference tape copy.
    Track 26 recorded at motel in Jacksonville, Florida on either May 12 or July 28, 1955.
    Source for track 26: Digital transfer of 1981 BBC broadcast tape copy.
    Track 27 recorded at the Jimmie Rodgers Memorial Festival, Meridian, Mississippi, May 26, 1955.
    Source for track 27: Broadcast tape.
    Track 28 recorded at the Louisiana Hayride, Shreveport, Louisiana, July 2, 1955.
    Source for track 28: Digital transfer of acetate in very poor condition. Some parts duplicated and edited to create near-complete performance.
    Tracks 29-31 recorded at the Louisiana Hayride, Shreveport, Louisiana, August 20, 1955.
    Source for tracks 29-31: RCA reference tape copies.
    Track 32 recorded at WMPS Radio, Memphis Tennessee, between August 29-31, 1955.
    Source for track 32: Digital transferBlog de elpresse : ELVIS ET LE ROCKABILLY, news news

     

     

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